V-ROCK Festival 2011: Most Versatile Performance

Live Report

by Leela McMullen, Erin Fowler, posted November 14, 2011

All photographs courtesy of V-ROCK FESTIVAL '11.

Most Versatile Performance:  Vistlip

As Vistlip entered the stage dressed in dark clothing and sporting Final Fantasy-inspired hair, first-timers expected their music to reflect that image. The first song, “Omoide CG” was a rock tune but not as heavy as expected when the poppy chorus came around. The following song, “Dead Cherry,” was poppy yet featured hip-hop rap verses reminiscent of the band Baroque. By the third song, “Ozone,” the crowd had grown larger with nearly the entire audience dancing along to the choreography.

Overall, Vistlip gave it their all: from rock to pop, to hip-hop and an overall VK tune. Their versatility was showcased extremely well by the set they chose, and by the end of it, it seemed obvious that their look stands in as a metaphor for their sound, the dark jackets symbolizing rock while the lighter-colored shirts represented their pop side. The final song, an upbeat number, “Hameln,” left the audience with smiles on their faces at the sounding of the last notes.

Runner-Up: DaizyStripper

DaizyStripper split their set down the middle, the first two numbers headbanging treasures, and the latter two featuring a poppy flair. However, even those distinctions were broken down further, the band displaying their versatility in only four songs: “Tsuki ni Jyuusei” brought the band out angry and dangerous but despite the heavy music, “PSYCHEDELIC HEAVEN” was a wild trip of a number.

One moment, guitarist Nao was spazzing out and doing his best to destroy the stage equipment with his feet and the next moment, he was grinning cheerfully and dancing along to the friendly, laid back “Sunday Driver.” However, before this number, DaizyStripper further expressed their versatility with that rare gem of a talent… the emcee. Yu-Giri chattered away, teaching dance steps to the crowd and warming them up like buns in the oven. By the time the old pop-favorite “decade” wrapped up the set, the crowd had been skillfully manipulated through a series of emotions to end on an elated high as they danced back and forth across the floor.

Leela McMullen is a strong believer in the philosophy "no music, no life." Having traversed the range of Japanese fandoms, she found her home at last in visual kei and has made it her mission to share what she loves most with the world. Leela completed her B.A. in Japanese language from Griffith University in Gold Coast Australia. She now lives and works in Japan, striving to bring you the goods, hot from the scene. Follow her on twitter for juicy hints of upcoming articles if you've got a bit of Japanese language under your belt! http://twitter.com/#!/LeelaInTokyo

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